More deeply, the decline in market share and cultural capital has eroded southern gospel's self-concept and induced a crisis of authenticity. Yet it is a mistake to treat southern gospel as wholly synonymous with white gospel. Douglas Harrison is Associate Professor of English and Assistant Director of the Center for Faculty Innovation at James Madison University. Winter's Bone. Its fans and participants aspire to transcend or dissolve regional expectations, theological boundaries, and denominational classifications. Southern gospel performers often emulate black gospel styleincluding arrangements, vocal techniques, and use of choirs as backing voices. They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music,". For an extended discussion of the psychodynamics of southern gospel, see ibid., 149. "Southern" gospel has its own difficulties, not least the fact that not all gospel from, of, or appealing to people in the South is a white enterprise. By leveraging anxieties about cultural authenticity and relevance roiling conservative evangelical and fundamentalist culture, Homecoming creates "a musical screen onto which people from a wide range of Christian cultural traditions within the American middle class can project their own religious concerns and spiritual aspirations. Sharing her life with transparency is her passion. And I've never been more sure of the path I've chosen." . In short, whiteness remains strongly associated with southern gospel performance and fan culture.10Ibid., 203, especially note 53. tippy('#footnote_plugin_tooltip_1524_1_10', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_10').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Front cover of Crowning Day (Dayton, VA: Ruebush-Kieffer, 1900). Shearon, Stephen, Harry Eskew, James C. Cowney, and Robert Darden. Toward the end of his life, Andy Griffith recorded multiple southern gospel albums. Fox, Pamela. Southern gospel has found itself in alliances with black gospel traditions and the black church. Jonathan Martin (b. Joyce Martin was married to Alton G. Martin on October 1, 1983 in Rockwall County, Texas. At the same time, the group evinces no interest in stylistic purity or generic fealty to a specific tradition, even as the album titleincluding the florid and flowing cover typographyframes their music as a filiopietistic missive from the old home place that is a staple of the southern gospel imagination.46While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. The Martins Biography by John Bush A brother-sisters trio of a cappella gospel harmonizers, the Martins consist of Joyce Martin McCollough, Jonathan Martin and Judy Martin Hess. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head.
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